NAHM 2023 - Gifts of Our Ancestors: Celebrating Indigenous Knowledge and Cultures: Books

A New York Times Bestseller. As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these two lenses of knowledge together to take us on "a journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise" (Elizabeth Gilbert). Drawing on her life as an indigenous scientist, and as a woman, Kimmerer shows how other living beings--asters and goldenrod, strawberries and squash, salamanders, algae, and sweetgrass--offer us gifts and lessons, even if we've forgotten how to hear their voices. In reflections that range from the creation of Turtle Island to the forces that threaten its flourishing today, she circles toward a central argument: that the awakening of ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings will we be capable of understanding the generosity of the earth, and learn to give our own gifts in return.

Stories, legends, and songs of the indigenous tribes of California, including those from the Maidu, Chumash, Wintu, Miwok, Pomo, and more.

John Muir was an early proponent of a view we still hold today--that much of California was pristine, untouched wilderness before the arrival of Europeans. But as this groundbreaking book demonstrates, what Muir was really seeing when he admired the grand vistas of Yosemite and the gold and purple flowers carpeting the Central Valley were the fertile gardens of the Sierra Miwok and Valley Yokuts Indians, modified and made productive by centuries of harvesting, tilling, sowing, pruning, and burning. Marvelously detailed and beautifully written, Tending the Wild is an unparalleled examination of Native American knowledge and uses of California's natural resources that reshapes our understanding of native cultures and shows how we might begin to use their knowledge in our own conservation efforts.

This book examines the importance of Traditional Ecological Knowledge (TEK) and how it can provide models for a time-tested form of sustainability needed in the world today. The essays, written by a team of scholars from diverse disciplinary backgrounds, explore TEK through compelling cases of environmental sustainability from multiple tribal and geographic locations in North America and beyond. Addressing the philosophical issues concerning indigenous and ecological knowledge production and maintenance, they focus on how environmental values and ethics are applied to the uses of land.Grounded in an understanding of the profound relationship between biological and cultural diversity, this book defines, interrogates, and problematizes, the many definitions of traditional ecological knowledge and sustainability. It includes a holistic and broad disciplinary approach to sustainability, including language, art, and ceremony, as critical ways to maintain healthy human-environment relations.

Bridging the worlds of the traditional Native American and modern culture, the authors offer an inspiring and moving autobiography of a native American medicine man, one of the last to be trained in the ancient ways, and one of the few to teach nontribal people.

The first full account of the government-sanctioned genocide of California Indians under United States rule   Winner of the 2016 Los Angeles Times Book Award for History and a New York Times Book Review Editors' Choice   "Gruesomely thorough. . . . Others have described some of these campaigns, but never in such strong terms and with so much blame placed directly on the United States government."--Alexander Nazaryan, Newsweek   Between 1846 and 1873, California's Indian population plunged from perhaps 150,000 to 30,000. Benjamin Madley is the first historian to uncover the full extent of the slaughter, the involvement of state and federal officials, the taxpayer dollars that supported the violence, indigenous resistance, who did the killing, and why the killings ended. This deeply researched book is a comprehensive and chilling history of an American genocide.    Madley describes pre-contact California and precursors to the genocide before explaining how the Gold Rush stirred vigilante violence against California Indians. He narrates the rise of a state-sanctioned killing machine and the broad societal, judicial, and political support for genocide. Many participated: vigilantes, volunteer state militiamen, U.S. Army soldiers, U.S. congressmen, California governors, and others. The state and federal governments spent at least $1,700,000 on campaigns against California Indians. Besides evaluating government officials' culpability, Madley considers why the slaughter constituted genocide and how other possible genocides within and beyond the Americas might be investigated using the methods presented in this groundbreaking book.

There is an old, deeply rooted story about America that goes like this: Columbus "discovers" a strange continent and brings back tales of untold riches. The European empires rush over, eager to stake out as much of this astonishing "New World" as possible. Though Indigenous peoples fight back, they cannot stop the onslaught. White imperialists are destined to rule the continent, and history is an irreversible march toward Indigenous destruction. Yet as with other long-accepted origin stories, this one, too, turns out to be based in myth and distortion. In Indigenous Continent, acclaimed historian Pekka Hämäläinen presents a sweeping counternarrative that shatters the most basic assumptions about American history. Shifting our perspective away from Jamestown, Plymouth Rock, the Revolution, and other well-trodden episodes on the conventional timeline, he depicts a sovereign world of Native nations whose members, far from helpless victims of colonial violence, dominated the continent for centuries after the first European arrivals. From the Iroquois in the Northeast to the Comanches on the Plains, and from the Pueblos in the Southwest to the Cherokees in the Southeast, Native nations frequently decimated white newcomers in battle. Even as the white population exploded and colonists' land greed grew more extravagant, Indigenous peoples flourished due to sophisticated diplomacy and leadership structures. By 1776, various colonial powers claimed nearly all of the continent, but Indigenous peoples still controlled it-as Hämäläinen points out, the maps in modern textbooks that paint much of North America in neat, color-coded blocks confuse outlandish imperial boasts for actual holdings. In fact, Native power peaked in the late nineteenth century, with the Lakota victory in 1876 at Little Big Horn, which was not an American blunder, but an all-too-expected outcome. Hämäläinen ultimately contends that the very notion of "colonial America" is misleading, and that we should speak instead of an "Indigenous America" that was only slowly and unevenly becoming colonial. The evidence of Indigenous defiance is apparent today in the hundreds of Native nations that still dot the United States and Canada. Necessary reading for anyone who cares about America's past, present, and future, Indigenous Continent restores Native peoples to their rightful place at the very fulcrum of American history.

At the dawn of the twenty-first century, America finds itself on the brink of a new racial consciousness. The old, unquestioned confidence with which individuals can be classified (as embodied, for instance, in previous U.S. census categories) has been eroded. In its place are shifting paradigms and new norms for racial identity. Eva Marie Garroutte examines the changing processes of racial identification and their implications by looking specifically at the case of American Indians.

To the colonized, the term 'research' is conflated with European colonialism; the ways in which academic research has been implicated in the throes of imperialism remains a painful memory. This essential volume explores intersections of imperialism and research - specifically, the ways in which imperialism is embedded in disciplines of knowledge and tradition as 'regimes of truth.' Concepts such as 'discovery' and 'claiming' are discussed and an argument presented that the decolonization of research methods will help to reclaim control over indigenous ways of knowing and being. Now in its eagerly awaited third edition, this bestselling book includes a co-written introduction features contributions from indigenous scholars on the book's continued relevance to current research. It also features a chapter with twenty-five indigenous projects and a collection of poetry.

Hearts of Our People: Native Women Artists explores the artistic achievements of Native women and establishes their rightful place in the art world. This landmark book includes works of art from antiquity to the present, made in a variety of media from textiles and beadwork to video and digital arts. It showcases artists from more than seventy-five Indigenous tribes to reveal the ingenuity and innovation that have always been foundational to the art of Native women.

For thousands of years the Washoe people have lived in the shadows of the Sierra Nevada Mountains. At the center of their lands sits beautiful Lake Tahoe, a name derived from the Washoe word Da ow a ga. Perhaps because the Washoe population has always been small or because it has been more peaceful than other tribal communities, its history has never been published. In The Small Shall Be Strong, Matthew S. Makley demonstrates that, in spite of this lack of scholarly attention, Washoe history is replete with broad significance. The Washoes, for example, gained culturally important lands through the 1887 Dawes Act. And during the 1990s, the tribe sought to ban climbing on one of its most sacred sites, Cave Rock, a singular instance of Native sacred concerns leading to restrictions. The Small Shall Be Strong illustrates a history and raises a broad question: How might greater scholarly attention to the numerous lesser-studied tribes in the United States compel a rethinking of larger historical narratives?

A study of transnational Indigenous activism and colonial photography. Apparently neutral windows into the past, colonial photographs lie at the center of Indigenous art activism across the globe. Through a series of moving case studies, Adjusting the Lens explores how Indigenous artists in Australia, Canada, Finland, Greenland, Norway, and the United States today confront and redevelop this archive as they strive to empower and revitalize their communities and decolonize the historical record.

Delgamuukw. Sixties Scoop. Bill C-31. Blood quantum. Appropriation. Two-Spirit. Tsilhqot'in. Status. TRC. RCAP. FNPOA. Pass and permit. Numbered Treaties. Terra nullius. The Great Peace... Are you familiar with the terms listed above? In Indigenous Writes, Chelsea Vowel, legal scholar, teacher, and intellectual, opens an important dialogue about these (and more) concepts and the wider social beliefs associated with the relationship between Indigenous Peoples and Canada. In 31 essays, Chelsea explores the Indigenous experience from the time of contact to the present, through five categories--Terminology of Relationships; Culture and Identity; Myth-Busting; State Violence; and Land, Learning, Law, and Treaties. She answers the questions that many people have on these topics to spark further conversations at home, in the classroom, and in the larger community. Indigenous Writes is one title in The Debwe Series.

Reincarnation Beliefs of North American Indiansprovides an in-depth, meticulously documented assortment of spiritual legends, beliefs and stories that offer a fascinating look into the rich and varied psychic life experiences of the American Indian. Stories from a cross-section of North American tribes include a Winnebago shaman's initiation, the Cherokee's Orpheus myth, the Hopi's "Journey to the Skeleton House," the Ghost Dance religion of the Lakota, and an Inuit man's life as numerous animals. References and resources are indexed in the back of the book.

More than five centuries of native peoples' artistry. Native Americans crafted beautiful clothing out of skins, pigment, quills and sinew. The collection of photographs in this outstanding reference celebrates this decorative genius. Many of the 300 photographs from more than 60 leading museums and private collections have never been published previously. The book describes the clothing in fascinating detail, from moccasins and tunics to sashes, bags and ceremonial and burial costumes. Theodore Brasser explains who made what and how, as well as the meanings of the different kinds of decoration, such as beadwork, embroidery, appliqué, patchwork, weaving and dyeing. There are also many examples of native pottery and other historic artifacts that depict themes used in the clothes. Native American Clothing provides a thorough historical background of the many influences on this clothing, including: Mythology Social status Political standing Wealth Climate Geography Contact with European settlers. The book covers the entire North American continent and is organized by tribal groups and regions: Southeast Northern east coast Eastern Great Lakes Eastern sub-Arctic Great Lakes Plains Southwest Plateau/desert California Northwest coast Western sub-Arctic Arctic. Numerous maps show the ranges of the tribes and convey how trade and travel spread cultural themes. With authoritative text and art-quality color reproductions, Native American Clothing will be important to collectors and historians and will also appeal to general readers.

"The organizing principle for this anthology is the common Native American heritage of its authors; and yet that thread proves to be the most tenuous of all, as the experience of indigeneity differs radically for each of them. While many experience a centripetal pull toward a cohesive Indian experience, the indications throughout these essays lean toward a richer, more illustrative panorama of difference. What tends to bind them together are not cultural practices or spiritual attitudes per se, but rather circumstances that have no exclusive province in Indian country: that is, first and foremost, poverty, and its attendant symptoms of violence, substance abuse, and both physical and mental illness.... Education plays a critical role in such lives: many of the authors recall adoring school as young people, as it constituted a place of escape and a rare opportunity to thrive.... While many of the writers do return to their tribal communities after graduation, ideas about 'home' become more malleable and complicated." from the Introduction: Am Where I Come From presents the autobiographies of thirteen Native American undergraduates and graduates of Dartmouth College, ten of them current and recent students. Twenty years ago, Cornell University Press published First Person, First Peoples: Native American College Graduates Tell Their Life Stories, also about the experiences of Native American students at Dartmouth College. I Am Where I Come From addresses similar themes and experiences, but it is very much a new book for a new generation of college students. Three of the essays from the earlier book are gathered into a section titled "Continuing Education," each followed by a shorter reflection from the author on his or her experience since writing the original essay. All three have changed jobs multiple times, returned to school for advanced degrees, started and increased their families, and, along the way, continuously revised and refined what it means to be Indian.The autobiographies contained in I Am Where I Come From explore issues of native identity, adjustment to the college environment, cultural and familial influences, and academic and career aspirations. The memoirs are notable for their eloquence and bravery.

Joy Harjo, the first Native American to serve as U.S. poet laureate, invites us to travel along the heartaches, losses, and humble realizations of her "poet-warrior" road. A musical, kaleidoscopic, and wise follow-up to Crazy Brave, Poet Warrior reveals how Harjo came to write poetry of compassion and healing, poetry with the power to unearth the truth and demand justice. Harjo listens to stories of ancestors and family, the poetry and music that she first encountered as a child, and the messengers of a changing earth--owls heralding grief, resilient desert plants, and a smooth green snake curled up in surprise. She celebrates the influences that shaped her poetry, among them Audre Lorde, N. Scott Momaday, Walt Whitman, Muscogee stomp dance call-and-response, Navajo horse songs, rain, and sunrise. In absorbing, incantatory prose, Harjo grieves at the loss of her mother, reckons with the theft of her ancestral homeland, and sheds light on the rituals that nourish her as an artist, mother, wife, and community member. Moving fluidly between prose, song, and poetry, Harjo recounts a luminous journey of becoming, a spiritual map that will help us all find home. Poet Warrior sings with the jazz, blues, tenderness, and bravery that we know as distinctly Joy Harjo.

Nonfiction. Two hundred years ago herds of elk and antelope dotted the hills of the San Francisco-Monterey Bay area. Grizzly bears lumbered down to the creeks to fish for salmon and steelhead trout. From the vast marshlands, geese, ducks, and other birds rose in thick clouds "with a sound like that of a hurricane." This land of "inexpressible fertility," as one early explorer described it, supported one of the densest Indian populations in all of North America. Clearly and accessibly written, uniquely alive and at the same time informed, this well-loved classic vividly recreates the lost world of the Indian people who lived here such a short time ago.