Junior, a budding cartoonist growing up on the Spokane Indian Reservation. Determined to take his future into his own hands, Junior leaves his troubled school on the rez to attend an all-white farm town high school where the only other Indian is the school mascot.
Tayo, a young Native American, has been a prisoner of the Japanese during World War II, and the horrors of captivity have almost eroded his will to survive. His return to the Laguna Pueblo reservation only increases his feeling of estrangement and alienation.
Set in Montana shortly after the Civil War, this novel tells of White Man's Dog (later known as Fools Crow so called after he killed the chief of the Crows during a raid), a young Blackfeet Indian on the verge of manhood, and his band, known as the Lone Eaters. The invasion of white society threatens to change their traditional way of life, and they must choose to fight or assimilate.
Sylvester Yellow Calf is a former reservation basketball star, a promising young lawyer, and a possible congressional candidate. But when a parolee ensnares him in a blackmail scheme, he'll have to decide just who he is, and what he wants.
Postcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz's brilliant second collection demands that every body carried in its pages--bodies of language, land, rivers, suffering brothers, enemies, and lovers--be touched and held as beloveds.
Starting in the present day and moving backward, the novel is told in the voices of the three women: fifteen-year-old part-black Rayona; her American Indian mother, Christine, consumed by tenderness and resentment toward those she loves; and the fierce and mysterious Ida, mother and grandmother whose haunting secrets, betrayals, and dreams echo through the years, braiding together the strands of the shared past.
As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these two lenses of knowledge together to take us on "a journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise" (Elizabeth Gilbert).
A definitive anthology of Native American literatures draws on the work of more than two hundred tribes across the United States and Canada and provides vivid, accurate translations of texts within their proper historical and cultural contexts.
This stunning collection of original tales, legends, and historical accounts explores the rich tapestry of Mesoamerican narrative myths that have survived the Conquest. Some of the narratives in this selection are presented here for the first time in English translations of their original texts, while other antiquated translations have been updated.
In An Indigenous Peoples' History of the United States, Dunbar-Ortiz adroitly challenges the founding myth of the United States and shows how policy against the Indigenous peoples was colonialist and designed to seize the territories of the original inhabitants, displacing or eliminating them.
The question of how people first came to the Americas is now thrown wide open: the best guess is that they arrived from a variety of places, at many different times and by many different routes. Dillehay describes who the earliest settlers are likely to have been, where they may have landed, how they dispersed across two continents, what their technology and folkways may have been like, and how they interacted with the famous Clovis culture once thought to represent the earliest settlers.
Ohiyesa, a Dakota Indian also known as Charles Alexander Eastman, is one of America's most fascinating and overlooked individuals. Born in Minnesota in 1858, he obtained postgraduate degrees and advised U.S. presidents before returning to traditional living in native forests. This beautifully packaged reissue contains Ohiyesa's insights on spirit, the human experience, and white culture's impact on Native American culture.
An unparalleled examination of Native American knowledge and uses of California's natural resources that reshapes our understanding of native cultures and shows how we might begin to use their knowledge in our own conservation efforts.
Bridging the worlds of the traditional Native American and modern culture, the authors offer an inspiring and moving autobiography of a native American medicine man, one of the last to be trained in the ancient ways, and one of the few to teach nontribal people.