Though ballet is often seen as a white, cis-heteropatriarchal form of dance, in fact it has been, and still is, shaped by artists from a much broader range of backgrounds. This collection looks beyond the mainstream, bringing to light the overlooked influences that continue to inform the culture of ballet.
A step by step guide to ballet technique for the beginning dancer, perfect for dancers aged five to fifteen years old or for the adult beginner, this book is designed as a to compliment to a beginning student's ballet training.
Ballet and Modern Dance meets the needs of both students and inquisitive dance goers through a narrative focused on the development of Western theatrical dance from the Renaissance to the first decades of the 21st century, incorporating the most recent scholarship and projecting trends.
Surveys the emergence of ballet from ancient Asian models to the present, providing overviews of rhythmic movement as a subject of art, photography, and cinema.
Provides a local perspective to enrich the broader cultural narratives of ballet through historical, socio-cultural, political, and artistic lenses, redefining what many consider to be "high art." Scholars in gender studies, folklore, popular culture, and cultural studies will be interested in this collection, as well as those involved in the dance world.
Although the techniques of classical ballets were invented by French and Italian masters two hundred years ago, the Russian Ballet refined these techniques, thus enhancing its already superb performances. This book uncovers the Great History of Russian Ballet, its art and choreography.
Martha Ullman West illustrates how American ballet developed over the course of the twentieth century from an aesthetic originating in the courts of Europe into a stylistically diverse expression of a democratic culture.